The Brendan Voyage
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Liam O'Flynn
With his first major work, 'The Brendan Voyage' (1980), Shaun opened up totally new musical territory. For the first time, in a suite especially written for uilleann pipes soloist Liam O'Flynn, a traditional musician was integrated with a classical orchestra. The uilleann pipe passages in the Brendan suite, capturing all the force, emotion and beauty of Irish traditional music, here blend with the symphony orchestra in a synthesis of old and new which has enchanted audiences around the world.

The Brendan Voyage'The Brendan Voyage' is an emotive, symbolic work, seeming to answer a need in the Irish people to recognise and prove that a soloist representing an aural tradition can hold the stage on equal footing with members of a symphony orchestra.

The theme of Shaun Davey's seminal work is the epic voyage of historian Tim Severin who, in 1976, set sail in a small leather-covered boat to retrace the voyage undertaken by St. Brendan, Abbot of Clonfert in the year 500 AD.

According to Irish legend, St. Brendan, with a band of fellow missionaries, embarked in a fragile curragh to reach what many scholars believe was the New World. Tim Severin set out to test the legend, constructing his leather boat, 'The Brendan', in the ancient way and setting sail from Brandon Creek, Co. Kerry, on the first leg of a journey to Newfoundland. In Severin's account the boat takes on a personality of its own, becoming a parental figure which guides and sometimes carries its offspring through the elements and dangers. In Shaun Davey's suite, the uilleann pipes represent the boat and carry the listener before the wind, through ferocious gales, over gigantic waves, through floating pillars of ice... evoking the journey from a small Kerry harbour to the Faroes, the Cliffs of Mykines, to Iceland, the freezing waters of Labrador and finally, to safe harbour in Newfoundland.

The Brendan Voyage'The Brendan Voyage' was first performed in Rennes, France in 1982, and again the same year in Lorient. In 1983, it received its long-awaited Irish premier in the presence of the President of Ireland, Dr. Patrick Hillery and the explorer Tim Severin. This concert, greeted by a rapturous standing ovation from the capacity audience, marked the beginning of a history of sold out performances of 'The Brendan Voyage' in the National Concert Hall, Dublin.

The work, recognised as a unique concert experience, has been performed in Australia, the U.S.A., Canada, France, Spain, Germany, England and Scotland, always attracting enthusiastic audiences.

 


Track 1 - Introduction: The starting point of the voyage was Brandon Creek in Co. Kerry, a tiny harbour barely protected from the Atlantic.
Track 2 - The Brendan Theme: Throughout the suite the pipes represent the boat. Here, where they enter, the 'Brendan' floats newly-launched and, as the orchestra joins the pipes, tentatively sets sail for the first time.
The Brendan Voyage Track 3 - Jig; Water under the keel: Running before the wind, the 'Brendan' is capable of quite a turn of speed. The crew discover this for the first time in the Minch channel between the Outer Hebrides and the west coast of Scotland.
Track 4 - Journey to the Faroes: Clouds pile up on the horizon above the distant islands. As the boat nears the Faroes it is swallowed by a swirling mist and caught by a powerful current that draws it in towards the hidden coast; the sound of birds through the mist; the mist rises to reveal cliffs.
Track 5 - The Cliffs of Mykines: This continues out of the previous section. The cliffs are immensely high and wind and tide drive 'Brendan' sideways towards them. Thousands of birds swarm around the cliff face and at one point a whale surfaces ahead of the boat. Finally, to escape the danger of the cliffs, the boat has to run the gauntlet of a tide rip; 'Rounding the headland' is a point where the pipes return.
Track 6 - Mykines Sound: The pipes continue with a reel as the boat rushes down a narrow channel between two of the Faroe islands, unable to turn into the safety of a harbour, for fear of capsizing in a powerful following sea. The 'Brendan' was swept once more out into the Atlantic before eventually being able to reach land.
Track 7 - Journey to Iceland: From the Faroes the boat sets off for Iceland. On the way it is the subject of fascination for a great variety of fish, including whales and dolphins. The middle section is a dialogue between the 'Brendan' and layers of fish in the waters below. The pipes use a C chanter to enable them to play in a lower and more mellow key.
Track 8 - The Gale: Inevitably 'Brendan' and her crew had to weather storms, but none so ferocious as those in the waters off Greenland. Here the wind builds the sea into a procession of gigantic Atlantic rollers with the boat, like the pipes, bending to the pressure but refusing to be overwhelmed.
Track 9 - Labrador: After sailing through fog into the clearer air of the ice edge off the coast of Labrador, the 'Brendan' has to run through open pack ice; a kind of ballet ensues between the frail-skinned boat and monster icebergs. After inevitable collisions, the crew believe the boat has escaped unscathed but, on sailing into clearer water discover that the leather hull is holed and sinking. A solo pipe lament marks the spot. With their arms in freezing water the crew repair the hole and, by now close to exhaustion, make their way towards the coast of Newfoundland. The section closes with the return of the birds that signify the nearness of land.
Track 10 - Newfoundland: The pipes lead in a variation of the main theme to celebrate the boat's arrival in the new world and the end of the voyage.

 
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